* These tracks were replaced with the following versions on the CD release:

1	Turn It On	Extended Version	(W.Badarou/M.King/P.Gould/R.Gould)	5:36
6	Love Games	Extended Version	(M.King/P.Gould)	7:25
8	Starchild	Extended Version	(W.Badarou/M.King/P.Gould)	6:52

Reviews

That half of Level 42 have had formal musical training is hardly a bad thing. It's just that their conformity is at times rather stringent, with the result that spontaneity suffers. 'Love Games' is by far the most endearing track on the album - warm and infectious, it was out as a single last March - something that you might recognise without being able to put a name to it. Within the losse jazz-funk context, Level 42 often replace the more common use of saxophone with various keyboards. Although successful on 'Love Games', it otherwise adds to the overall unimposing 'background' quality of their music. The three instrumental tracks indicate that the group's real talent lies in composing incidental music and theme tunes. '43' and 'Heathrow' are exactly the kind of thing to introduce, say, a holiday programme; jet taking off, a heat haze on the runway; switch to blue skies and tanned bodies on sun-kissed beaches... 'Dune Tune' would be perfect on countless TV movies. From their name (number '42' is so completely unsignificant and uninteresting) to the sleeve artwork (gradual shades of blue and yellow with an unknown figure in the foreground) - it's all vague, without being intriguing; there's a total lack of demand. And that is precisely where the music fails in an orthodox L.P. form: it's just not suitably captivating - there's no vital spark. A dull, quiet music for contentment. Kirsty McNeil - NME August 29th 1981.